From tender romances to deeply conflicted relationships, these 10 films showcase Mammootty's softer, more vulnerable side at its most memorable.
Arshad Warsi, Vijay Raaz and Brijendra Kala have all the comic chops, but Jeevan Ya Bheema Con cannot squeeze even a single laugh out of them.
I'm Game starts with a wickedly fun possessed-hand premise and plenty of style, only to lose its grip in a predictable second half.
From Pink and Thappad to Aadukalam and Game Over, these 10 films showcase Taapsee Pannu at her most powerful and versatile.
From Ustad Hotel to Salute, these Dulquer Salmaan Malayalam films prove why his homecoming with I'm Game is worth celebrating.
Aneet Padda's post-Saiyaara follow-up Hunkkaar: The Roar promises a dark, provocative thriller about a young survivor taking on a godman accused of sexual abuse.
From Ajnabee to 2.0, Akshay Kumar has had plenty of fun playing the bad guy, but which of his villainous turns is truly khatarnaak?
Hi is a charming, feel-good romcom powered by Nayanthara and Kavin's chemistry, but its predictable second half keeps it from becoming truly delightful, notes Sreeju Sreedharan.
Mirzapur: The Movie brings back some familiar faces, resurrects a few dead ones and adds a fresh crop of actors to its blood-soaked big-screen world.
Toxic looks spectacular, but beneath its glossy, brutally violent exterior lies a hollow, confused film that mistakes style and swagger for substance, observes Sreeju Sudhakaran.
Marvel has unveiled its list of essential movies and one show to watch before the highly anticipated Avengers: Doomsday.
Akshay Kumar and Saif Ali Khan reunite in Priyadarshan's dark thriller Haiwaan where Kumar portrays a psychopathic villain and Khan a visually impaired hero.
From timeless classics to modern favourites, these 10 Malayalam songs capture the colour, warmth and togetherness of Onam like few others can.
If Khalifa: The Ruler continues to bleed at the box office, the odds of a big-budget sequel materialising drop to practically zero. The harsh reality of franchise filmmaking is incredibly simple: If the 'ruler' fails to conquer, absolutely no one is going to care about the 'legacy', no matter how many superstars you cram onto a poster.
Bethlehem Kudumba Unit offers a delightful and charming cinematic experience, blending trademark humour with a sweet, unconventional love story, gushes Sreeju Sudhakaran.
7 Dogs has all the money, stars and kinetic action you could want, but its vanity-project sheen cannot hide a painfully generic screenplay, observes Sreeju Sreedharan.
Khalifa wants to build a universe, but struggles to build a compelling film, leaving Prithviraj Sukumaran to carry a derivative thriller almost entirely on his shoulders laments Sreeju Sudhakaran.
From Sanjay Leela Bhansali and S S Rajamouli to Sundar C and Ayan Mukerji, these 15 filmmakers took a wild detour from their comfort zones, with wildly different results.
Mutiny is so painfully predictable that even Jason Statham's trademark mayhem struggles to keep it afloat.
From Joggers Park to De De Pyaar De, these films dared to make the age gap between their unlikely lovers part of the story rather than something to quietly ignore.
